Icelandic artist Hildur Bjarnadǿttir to create a commissioned work for Mint Museum Uptown

The Mint Museum is offering special viewing hours this month to allow the public to observe the artistic process behind a commissioned work that will be installed in the new Mint Museum Uptown this fall. On March 26-27 and March 29-30 (from 2:00 to 6:00 p.m. each day), the public is invited to observe Icelandic fiber artist Hildur Bjarnadǿttir working in the lobby of the former Mint Museum of Craft + Design location (220 North Tryon Street), which will be transformed into a temporary studio during the artist’s visit.

During her visit to Charlotte, Bjarnadǿttir will be creating a fiber art work for Project Ten Ten Ten, a series of commissions created especially for the new Mint Museum Uptown galleries by 10 of the world’s most innovative craft and design artists. Visitors to the craft museum will be able to observe Bjarnadǿttir making natural dye from local plants and ask questions about the artistic process. The dye will be incorporated into the commissioned work, which will be unveiled at the new facility’s grand opening.

“Project Ten Ten Ten will catapult the Mint Museum of Craft + Design to the highest level of artistic excellence by commissioning 10 of the most important craft and design artists from around the world for site-specific work,” said Annie Carlano, Director of Craft + Design. When the doors open on October 1, 2010, visitors will see spectacular works by glass artist/designer Danny Lane (United Kingdom), conceptual jewelry artist Ted Noten (The Netherlands), and furniture maker/designer Joseph Walsh (Ireland), in addition to the fiber work by Hildur Bjarnadǿttir. Equally striking commissions by Kawana Tetsunori, Kate Malone, Tom Joyce, Cristina Córdova, Susan Point and Ayala Serfaty are also being planned for the new facility.

Bjarnadǿttir learned crocheting, knitting and embroidery as a child from her mother, and came of age during the flowering of fiber art in Europe. In her native Iceland she saw museum exhibitions of contemporary textiles and assumed the medium was exalted in the art world. She later learned that this is not the predominant view, and creates work that is a reaction to the commonplace negative comparison of textiles to “fine art.” Whether affixed to a wall or placed upon a pedestal, her needlework creations tell stories of traditional women’s work with a cutting-edge, even macabre, twist.

Retrospective exhibition at the Mint Museum of Art surveys seven decades of innovation

The work of Loïs Mailou Jones (1905-1998), a pioneering 20th century African-American artist, will be featured in a retrospective exhibition at the Mint Museum of Art November 14, 2009 – February 27, 2010. Loïs Mailou Jones: A Life in Vibrant Color surveys the artist’s 70-year career, stretching from the late Harlem Renaissance to her contemporary synthesis of African, Caribbean and American iconography.

The exhibition features more than 70 works from the artist’s estate as well as from public and private collections, and includes paintings, sketches and textile designs. Synthesizing a myriad of influences and encounters over her lifetime, Loïs Mailou Jones’s oeuvre remains a significant contribution to American art.

Jones explored a wealth of styles and subject matter in her works. Her skillful observation and inspiration from nature is revealed in colorful landscapes of Martha’s Vineyard, depictions of the winding streets and lush countryside of northern France, as well as traditional still lifes with fruits and flowers. The influence of philosopher Alain Locke, who encouraged Jones and other artists of color to draw inspiration from African arts, is evident in many of her works, such as The Ascent of Ethiopia (1932). She also conveyed the social struggles of African-Americans through powerful psychological portraits such as Mob Victim (1945) and Jennie (1943).

Born in Boston, Jones graduated from the School of the Museum of Fine Arts, Boston during a period when racial and gender prejudices pervaded society. She began her career as a textile designer and sold her bold fabric creations to department stores until a decorator told her that a colored girl wasn’t capable of producing such beautiful designs. This incident prompted Jones to shift her artistic focus to the fine arts so that she could sign her name to her works.

Intimations of her transition from design to painting surface in compositions Jones created in the early 1930s during a brief teaching stint at Palmer Memorial Institute, a preparatory school in Sedalia, North Carolina. The paintings Negro Shack 1, Sedalia, North Carolina (1930) and Brother Brown, Greensboro, North Carolina (1931) demonstrate the Regionalist character of her early paintings.

Jones’s sense of design resurfaced later in her career after a series of international travels, which brought out in her works an overt cultivation of pattern and form in a non-narrative format. Her marriage in 1952 to noted Haitian graphic artist Louis Vergniaud Pierre-Noël instigated a change in the subject matter and palette of her paintings. Her frequent trips to Haiti inspired paintings that displayed a marked fascination with the Caribbean culture. After additional travels that included African countries, her work became characterized by brilliant color, rich patterns and a variety of Haitian and African motifs. In 1980 President Jimmy Carter honored Jones for her outstanding achievements in the arts, and she continued to paint until her death in 1998.

MMC+D collections prepare to move to new facility as part of Museum expansion

The Mint Museum of Craft + Design will close to the public on February 7, 2010 to prepare to move its collections to the new Mint Museum Uptown. Opening in October 2010, the Mint Museum Uptown will house the Mint Museum of Craft + Design collections, as well as significant collections of American Art, Contemporary Art and a selection of European Art in a new five-story, 145,000-square-foot facility located in the heart of Charlotte’s business district. The Mint Museum of Craft + Design Shop will remain open for several more months, with a firm closing date to be announced later this spring.

To celebrate the grand opening of the Mint Museum Uptown, the Mint Museum of Craft + Design has launched Project Ten Ten Ten, a series of commissions created especially for the new Mint Uptown galleries by 10 of the world’s most innovative craft and design artists. When the doors open in October, visitors will see spectacular works by glass artist/designer Danny Lane (United Kingdom), conceptual jewelry artist Ted Noten (The Netherlands), furniture maker/designer Joseph Walsh (Ireland) and fiber artist Hildur Bjarnadǿttir (Iceland). Equally striking commissions by Kawana Tetsunori, Kate Malone, Tom Joyce, Cristina Córdova, Susan Point and Ayala Serfaty are also being planned for the new facility.

The Mint Museum expansion includes the construction of a new building in uptown Charlotte and the reinstallation of the historic U.S. Mint facility on Randolph Road. When the expansion is complete, The Mint Museum’s total combined square footage will grow by more than 60 percent, allowing opportunities to showcase more works from the permanent collection and better accommodate significant traveling exhibitions.

The Mint Museum Uptown will be part of the new Wells Fargo Cultural Campus. In addition to the Mint, the completed campus will include the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts + Culture, the Knight Theater (housing the North Carolina Dance Theatre) and the Duke Energy Center. Following the grand opening of the Mint Museum Uptown, collections at the Mint Museum Randolph will be reinstalled with a fresh new vision. Galleries there will feature the Mint’s superb Ceramics, Art of the Ancient Americas, and Historic Costume and Fashionable Dress collections.

The Mint Museum Uptown is scheduled to open just one year prior to the Mint’s 75th anniversary. Designed by Machado and Silvetti Associates of Boston (design architect), Clark Patterson Lee Design Professionals of Charlotte (architect of record), and George Sexton Associates of Washington, D.C. (museum consultant), the new facility will combine inspiring architecture with groundbreaking exhibitions to provide unparalleled art experiences for its visitors. The Museum expansion will provide larger and more flexible space to showcase the permanent collections and Mint-organized special exhibitions, as well as major touring exhibitions organized by other venues. The new facility will also house a Family Gallery to reinforce the Museum’s dual priorities of art and education.