Born in Atlanta to a father of Mexican Aztec descent and a mother of Honduran Maya ancestry, Gonzalez has sought to reclaim this cultural heritage through his work. Attracted to the graphic forms and vivid line work of their glyphs, Gonzalez focused on his Maya heritage. Mining the resources of the Mint Museum, he examined the ceramics in the galleries and studied the copies of the codices held in the library until he was able to build on the pictorial language and cultural practices embodied by these objects. He adapted Maya to the forms of contemporary popular culture, so his drawings are graffiti instead of steles and temple friezes, while his headdresses are knit hats.
In these galleries, Gonzalez’s recent work is displayed alongside earlier examples of Maya culture. Sharing space, the ancient and new perpetuate a cycle of rejuvenation inherent to all vibrant cultures.